TriadCity is an acclaimed virtual world made of words. It's blind-friendly, has more women players than men, and is cited by The Cambridge Companion to Postmodernism as a new form of literature. Where many games focus on "kill the monster" style adventuring, TriadCity explores themes which have been central to Western culture: good and evil, personal versus collective identities, violence and nonviolence, matter and spirit, freedom and slavery. TriadCity differs from much of the MUD tradition by being set in an urban environment. It's a city where all of historical time is simultaneously present: you'll find astronauts, hoplites, cowboys and Friar Tuck together on the same mag-lev subway. And, it's big: currently pushing 18,000 rooms, of 100,000 projected. Unique to any "game" we're aware of, TriadCity imposes various forms of subjectivity on players, presenting highly individualized views of the world to characters depending on their attributes, skills, and histories. This means that two players entering the same room simultaneously may see it differently. These differences can be subtle or radical, depending on the intentions of world authors. We know of no other virtual world where this level of individualization is possible. Also unusually, TriadCity offers multiple paths to character growth in addition to standard hack-and-slash. Violence is possible in TriadCity but not privileged; in many circumstances it's the worst possible choice. In TriadCity death is permanent: characters who die don't respawn. This means the choice to use violence needs to be carefully considered - rather more like real life than traditional games inspired by, say, DnD. In TriadCity characters gain experience by using their skills; by contributing to the game world; or simply by exploring. This offers a far richer player experience than typical for the MUD genre. Although huge, the game world is highly detailed. Room descriptions and contents vary by time of day, creating very different feels by day or night. NPC behaviors are highly individualized: nearly all NPCs have homes to go to, jobs to perform, and hobbies to engage in, the goal being to fill the city with constant movement and variation. NPC AI is based on concepts from robotics and is far more advanced than AI we're familiar with from earlier games. There are multiple thousands of NPCs and more than one hundred thousand Items in the game world at any moment. An example of "advanced NPC AI": certain angry NPC critters have the ability to coordinate with each other strategically to defeat player attacks on their strongholds. For instance, they might allow a player group deep into their territory, then attack to close the invaders' escape route; and while the invaders are isolated from help, deliberately target players with the weakest constitutions, or the weakest armor, or some skill or attribute necessary to the survival of the group - perhaps the "pack tank" carrying the group's water or ammunition. Or they might pursue a different strategy altogether. The point is that they're able to intelligently analyze the situation and respond adaptively. There are AI robots based on the personalities of Oscar Wilde and Douglas Adams' depressed soul Marvin. Human NPCs can be assigned personality matrixes based on the work of Carl Jung. Even the pigeons will look at you crossways if you try to steal their crumbs. Similar AI innovations can be applied to player characters as well. Character subjectivity was mentioned above. Characters can also become ill; can experience hallucinations, blackouts and fugue states; can find themselves conversing with people others can't see and who may or may not "really" be there; can be drugged; can fall down drunk; can froth with epilepsy. There may or may not be treatments available. Depends. The code is all-original, written by senior technology professionals with decades of experience. It's robust, bug-free and extremely stable. Play is via browser-based clients which encrypt network traffic and work happily through company firewalls; players can choose between a plugin-free HTML5 client or a "classic" signed Java applet with identical functionality. Commands are free English, typically but not necessarily in the imperative mood, e.g., "show me what's inside the second box" is just as good as "look into the second box", or even "what's in the second box?" The parser also speaks canonical DikuMUD, so you can "look in 2.box" if you like. You can create arbitrary command aliases which are saved between logins: you might prefer "gcc" to "get the coins from the corpse". Player-stealing is not allowed. Player-killing is allowed only in an Arena entered by choice. Much effort is made to keep the game newbie-friendly: there's an introductory tutorial for new players, and all the veterans are extremely friendly and helpful. The web site includes a rich guide for players, written in part by players themselves. There's an online Help robot who successfully answers about 80% of the questions asked. Extensive online Fora contain gold mines of player lore. Player houses are completely customizable; new player houses are build-able from ground up. Equipment and other Items are customizable. Although the world is ginormous, no automated mapping system is provided. This is deliberate. Instead, interested players can acquire the Cartographer Role, and receive experience and game bucks in return for the maps they contribute. Unusually for an Internet RPG, TriadCity has as many women players as men, an accomplishment the authors are extremely proud of. There's a feast-and-famiine cycle to TriadCity: sometimes you'll find a couple of dozen players on regularly, other times only one or two, or even none. Please change that by coming and staying and bringing your friends. The developers promise to begin formally marketing "real soon now". TriadCity is free to play. There's a concept of "premium" items which can be purchased via Zynga-like Reward Points; but these points themselves are given away, for instance as thanks for recruiting new players. Impatient players are welcome to buy them but this isn't really emphasized. Premium items include player house customizations, safes, grow lights and other "add ons" interesting primarily to higher-level players. So what's it all about? Largely it's a satire, focusing as satires do on greed, laziness, stupidity, shallowness, believing what you're told, conforming to social norms, and generally not thinking enough. The developers say it's intended for "smart grownups". Up to you to decide whether it works, or not. Resources: The TriadCity home page: http://www.smartmonsters.com/TriadCity/index.jsp. TriadCity on Wikipedia: http://en.wikipedia.org/wiki/TriadCity. TriadCity on Facebook: https://www.facebook.com/pages/TriadCity/295456477228706?ref=hl. TriadCity on Twitter: https://twitter.com/TriadCity The TriadCity authors' blog: http://triadcity.tumblr.com/. The TriadCity developers' blog: http://triadcitydevelopers.tumblr.com/. ^[1]

TriadCity is a large-scale multi-user role playing game with a literary orientation, currently in beta. Where most MUDs focus on "kill the monster" style adventuring, TriadCity explores themes which have been central to Western culture: good and evil, city and country, nature and civilization, personal and collective identities, violence and nonviolence, freedom and slavery. "Literary orientation" means that narrative techniques from the novel and other traditions are incorporated, such as voice, point of view, characterization, plot, and so on. Various forms of subjectivity are imposed on the characters which players create, some relative, some radical. This means that character histories and views of the world are potentially unique to each individual player. We entered beta testing on 10/1/01. The code is very stable, but the player base is still very small: not many people on most of the time. Best time to find folks is Sunday evenenings 5 - 9 pm PST. This is our weekly "online party", and is usually pretty fun. Player interface is a Java applet; sorry, no telnet. The client works on Windows and Linux, but not yet the Mac (we're working on it). Requires Sun's Java Plugin. We hope you'll check us out, and will tell us what you think! ^[2]

Where most MUDs focus on kill the monster style adventuring, TriadCity explores themes which have been central to Western culture: good and evil, city and country, nature and civilization, personal and collective identities, violence and nonviolence, freedom and slavery. Literary orientation means that narrative techniques from the novel and other traditions are incorporated, such as voice, point of view, characterization, plot, and so on. Various forms of subjectivity are imposed on the characters which players create, some relative, some radical. This means that character histories and views of the world are potentially unique to each individual player. TriadCity is Web-based; sorry, no telnet access. The client is a spiffy Java applet, and runs on Windows and Linux; we're working on the Mac. The game is very new, so, although the code is quite solid, there are few players right now, and many features yet to implement. Best time to find more players on than usual is Sundays, 5 - 9 pm PST, during our weekly online parties. There's often free stuff given away, and there's usually a lot of fun. Thanks! We hope you'll check TriadCity out, and will tell us what you think! ^[3]